Comments
Over the past 7 years, Brad Wilson has trusted me with his guitar setup work and the installation of quite a few K&K pickup systems in his guitars, and this time around, he has a beautiful sounding USA Martin D-35 that he wanted to be able to plug in and amplify. He also wanted me to setup the guitar to make it easier to play.
K&K pickups are known for bringing out the true acoustic sound that is tonally unique to each guitar, and Brad knows this after trying many different pickup systems over the years. First thing I did was prep and adhere each K&K pickup transducer (perfectly spaced and inline) directly under the saddle inside of the guitar per K&Ks instructions to get optimal tone and even output from all the strings. Then I removed the strap button/end pin and widened the hole to accommodate the larger input jack/strap button and installed it.
Once the K&K pickup system was fully installed, I conditioned the fretboard, polished the frets, strung it up with 12-54 strings, lowered the base of the saddle 1 1/2 mm, and lowered the action/string height of each of the strings slot in the nut for easier playing. Everything turned out great. Awesome guitar that sounds and plays better than ever.
Video in the comments below of Brad taking his guitar plugged in for a spin with some nice sounding finger style when he came to pick it up after the setup work and pickup system installation✌️
Mike Alley (guitarist for Doc & The Disorder) knows that I have 10 years of experience in repairing guitars, and now 2 years in my own guitar repair shop and lesson studio, and he had a unique restoration project that he felt confident I could tackle, completely gutting the old worn out electronics in his 1984 Kramer Pacer Imperial guitar, replacing them with new upgraded electronics, and just overall bringing this guitar back to life and good playing condition.
Being inspired by Van Halen and his endorsement of Kramer Guitars, Mike purchased this guitar new in 1984 from Midwest Music in Salina. He gigged with it regularly in rock bands through late 1991 “at which time I got a haircut and real job”. It then stayed in its case for the most part until 2004 when he joined the band Northcutt and resumed gigging with it for several years but transitioned to playing a telecaster guitar instead. For 15 years then, it just hung on the wall. He was poised to sell this guitar, but decided to bring it to me to restore it and start gigging with it again.
First thing I did was remove the old worn out electronics/controls (pots, pickup switch, input jack, and wiring). Then I removed the minimal aluminum foil shielding it had with the intention of fully shielding the entire electronics/control cavity to keep unwanted noise and interference from being picked up by the guitars controls (typically caused by stage lights, amplifiers, and other electronic gear). Then I removed the pickups to get their wire out of the way and to eventually replace the (not original) neck pickup with a new Seymour Duncan 59 SH-1N. Mike wanted to keep and reuse the 1984 Seymour Duncan JB-J pickup he had put in it right after purchasing the guitar. Got the copper foil shielding installed in the control cavity and the underside of its backplate so that the electronics would be fully shielded from unwanted noise. Got the pickups, the new USA Gibson pots, mini pickup switch, and input jack installed, the copper shielding grounded, everything wired up, soldered, and working perfectly.
With many years of pitting, wear, and nicks in the frets, Mike decided it’s best to have them serviced as well. I lightly leveled, recrowned, and mirror finish polished them making it feel smooth and playing easier. After that I adjusted the neck, strung it up with Daddario 10-46 strings, setup the Floyd Rose bridge, intonated it, and got it sounding and playing great.
Video in the comments below of Mike putting it through its paces when he came to pick it up after the repair.
Doc & The Disorder have some upcoming gigs. Hit the tag above to see where they’re playing next 👊
Anita Chase (guitarist and vocalist in The Radicles) was having trouble with the neck pickup on her favorite guitar intermittently cutting out (no sound) and it seemed to be getting worse and to the point where more often than not, the pickup wasn’t working at all. To try and pinpoint where the problem was, I started testing the electronics in different ways. I began by cleaning the pickup switch since it was crackling and cutting out quite a bit in different positions. The crackling went away but the neck pickup was still cutting out or slowly losing volume over time. I tracked the issue to the volume control/pot by tapping on it when testing it and noticed it would cut out. I inspected the wiring and found some cold solder on the volume control input terminal for the neck pickup. The hot wire from the pickup would move freely in the solder on the terminal which can cause a disruption in the signal from the neck pickup and loss of sound. Got the solder heated and retined so that the wire was bonded well to the solder and terminal, and the issue never reoccurred. Then I lightly leveled and recrowned some flat rough frets and gave them all a mirror finish polish to help make playing easier and feel smoother. Set it up with Ernie Ball 10-46 strings and sounding and playing great. Beautiful guitar and an awesome set of pickups.
Video of a cool sounding song in the comments below of Anita trying out her guitar with the neck pickup when she came to pick it up after the repair✌️
Taylor Kline was wanting to get a pickup installed in his guitar “Bullet”(originally his grandfather’s guitar which has a bullet hole through the top) so he could play it plugged in at some upcoming gigs he has. He purchased a K&K pickup because of the great things he’s heard about them. He asked me if I could install it for him because he knows I’ve installed many of them (including in one of my own guitars). I did an inspection when he came to drop it off and noticed the bridge plate on the inside was cracked and part of it was missing. Taylor said since he already had the pickup, to try and install it on what was remaining of the bridge plate, or possibly install it in a modified way similar to what a representative from K&K recommended I do with one of my own acoustic guitars that has no bridge plate and unusual fan bracing on the inside. Since the remainder of the bridge plate may not be well adhered anymore and compromised, I decided it was best to go with a modified install. I came up with an install method for Taylor’s guitar, got the pickup transducers placed and adhered well to the top of the guitar in a way that would give it a balanced tone and output for all the strings. Removed the original strap button and reamed out the hole to accommodate the larger K&K input jack/strap button and installed it. Cleaned the guitar, got 11-52 Ernie Ball strings back on it and sounding sweet. Cool looking guitar with I’m sure some interesting stories behind it.
Video in the comments below of Taylor trying it out plugged in when he came to pick it up after the repair with a great sounding original song👊
One of the original guitars that Matt Gerry purchased for Salina South Middle Guitar in 2004 (the first year guitar was available as part of the general music class) had some major breakage issues. How it happened is unclear, but almost always a break this severe is due to a significant impact or the guitar being dropped. Matt was hoping I could get it at least playable again if possible so his guitar class would have a full roster of guitars for classroom use and to check out for playing/practicing at home. I came up with a clamping/gluing method for the break on this guitar that would press everything back into position with one large clamp and a wood block to put pressure where I wanted it. I did a trial run (no glue) first to see if everything would line up well, then I taped around the break to make wiping the excess glue off easier with less of a mess and to protect the fretboard from excess glue running onto it when clamping. Got plenty of glue in the break, clamped it, and wiped the excess glue off and let it set for a few days just to give the glue plenty of time to dry. The glue joint turned out good, cleanup was easy, put the strap button back on, strung it up, and set it up for easy playing.
Great to have one of the original guitars Matt used to kick off Salina South Middle Schools guitar program back in action for another school year.
Video in the comments below of Matt trying it out for the first time with a classic song when he came to pick it up after the repair😎
Michael (one of my adult students) has been taking lessons from me for a few years now. He started off with acoustic guitar only at the beginning, but a little over a year ago, he bought a stratocaster because he wanted to start playing electric guitar as well. After learning some songs in standard tuning and Eb standard tuning, Mike decided it was time to get another left handed Fender electric guitar and have it set up from the stock 9-42 strings to 10-46 gauge strings so he can more easily do drop tunings and rhythm playing and still have good tone. Got a set of Elixir 10-46 strings on it, adjusted the saddle height/radius, intonated it, and fine tuned the nut height for ease of play.
Been cool seeing Mike’s progress in his guitar playing since starting lessons. Video in the comments below of Mike taking the newest edition to his guitar collection for a spin with something he’s learning and working on✌️
Before heading to Nashville recently, Tony Bowell (a guitarist and vocalist for Sunset Sinners) was really needing to get the electronics in his Japanese made 1987 Alvarez Yairi DY45 acoustic guitar back in good playing condition. It was virtually unusable plugged in because all the plastic parts that hold the electronics/preamp in place in the side of the guitar were broken. The original under saddle pickup was not working very well either, and was putting only a minimal amount of sound out on the D & G strings when played plugged in. After doing some research into repairing or replacing the electronics, I decided repairing it would be best if at all possible since Tony said he loved the sound of the electronics and that they faithfully reproduced that guitars acoustic sound with very few feedback issues. That electronics system has been out of production for at least 20 years, so replacement parts are no longer being made for it. I managed to get in touch with a representative at Alvarez Guitars in the repair department that was willing to scrounge up some old “new” (20+ years old new) parts and some old used parts they still had around from broken preamps out of guitars from the 1980s & 1990s. The plastic parts had become hard and brittle with age though and the Alvarez rep. said they would be difficult to install. Per the Alvarez reps. instructions, I heated a fl**ge (preamp frame), moulded it around the contour of the body of the guitar over the preamp hole, screwed it in, and got it successfully installed without cracking or breaking. Then I got the oversized faceplate sized for that fl**ge and reassembled the preamp with the replacement faceplate. Got the replacement pickup installed, everything wired up, and looking and sounding great. Then I lightly leveled out some pitting/wear in the frets, recrowned them, and gave them all a mirror finish polish. Strung it up with a set of Elixir 13-56 strings and fine tuned the string height at the nut for ease of playing. Awesome guitar and a fun project. Sunset Sinners have a lot of gigs coming up, including in the Salina area. Their July 2021 tour list is in the comments below and hit the tag above to check out what they’ve been playing and working on👍👍